La Cérémonie |
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Director Starring |
Best Chabrol yet, ohh yes. You know, I get the Hitchcock comparison but Chabrol’s style feels much more open, inviting somehow; enjoyable on a wider variety of levels. Here he also brings a breath of fresh air to the “class conflict” theme (in the making-of featurette, he jokes he has made the last Marxist film), showing an upper-class family and two lower-class women in a way that leaves none innocent, but casts no judgment. That he leaves to the viewer. And my judgment? Repressed lesbian desire unleashed through violence, baby. |
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