Hurlevent

Not what we’re used to from Rivette in narrative or visuals; in fact it is a fairly straightforward period piece (by no means a strict adaptation of Wuthering Heights, though the mood is there in all its intensity) and it is his most beautifully photographed. The characters — all writhing in their own pain and inflicting pain on others, with the possible exception of quietly observant and flippant maid Hélène — are finely drawn and well-motivated; despite the cast of unknown model types, the acting fulfils the almost unrelentingly dark story capably. Not a film for Rivette insiders only, and in fact it seems to be poorly regarded by his faithful. For what it is I think it’s a very solid film; it only aspires to less than is typical for the director.