L’Imortelle

Posted 31 December 2007 in screencaps Screening log
“What can one do here? You can see for yourself that this city isn’t real.”

Rating


1963 - Turkey

Director
Alain Robbe-Grillet

Starring
Françoise Brion, Jacques Doniol-Valcroze

IMDb

Very much in the style of Marienbad, this meanders through the streets of Istanbul, filled with music and the sound of dogs barking (both taking on increasingly sinister significance), as an unnamed Man follows a woman calling herself Lale, first at her side, then chasing after her elusive shadow, having apparently disappeared. The same geometric exactness and philosophical coldness is here, advancing a kind of mystery to similar effect as in Marienbad; memories replay and reform as the viewer more or less assembles the clues with our Man, thrown off as he is by distorted angles and constantly reconfiguring groups. Perplexing, haunting, and exciting.

Screencaps

 

5 Comments »

How long does it take you to update all these posts?

You are some kind of nut… the nuttiest kind. Why would anyone want to catalog their film experiences? I’m beginning to realize just how terrifying this all is. This project of yours almost feels like the product of a mental breakdown. Do you need saving? I’m feeling especially heroic today, so all you have to do is cry “Help!” and I’ll do stupidly brave things to save you.

Perhaps you are in desperate need of a personal epiphany… or maybe just an outstanding love affair. Or maybe you are as sane as you’ve always been… [scary thought].

Comment by Mango — 2 January 2008 @ 2 January 2008

:) Well as I say, now that I have the set-up.. ya know, set up, it takes no time at all. The posts are mostly copied and pasted from TLC-board, and it’s automatically populated on the other relevant pages (year list, full list of films list, screencap list etc) with a mere check of a box. So the time investment is over; I have only to sit and watch my film experience accumulate…

As to what appeal THAT holds, indeed I may be nutty. I suppose it is the fundamental difference that has compelled me to make lists since I began, and you not for a moment.

There is this divide between us: ah, can any heroics bridge it?

:) Sane as I’ve always been, yes, but that’s not very.

Comment by Lauren — 2 January 2008 @ 2 January 2008

Hmm. Smilies used to work in the comments. :?

Comment by Lauren — 2 January 2008 @ 2 January 2008

My heroism went to great waste today. I’m ready to save any number of people– is that a building on fire? *rushes in*
But, no, no heroic opportunities present today.

Eh, I’m a knight without a damsel. That is my problem. (And obviously, you are no damsel–you are a damsel-killer, you liberated feminist!)

Comment by Mango — 2 January 2008 @ 2 January 2008

It’s true, I’d thwart you at every turn. If only it were the 1940s and I were more Kate Hepburn than I am: I’d find a way to be an independent damsel. Women seem to have once had that knack.

But you’d still be questing after an Audrey.

Comment by Lauren — 2 January 2008 @ 2 January 2008

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about
Lauren, 25, out-of-work librarian. At the moment, TLC is but a review blog and catalogue of my film-related perversions. I always plan to do more with it — and to one day step outside 30s Hollywood again. Who knows?


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Screening Log
» The Great Lie 1941, Edmund Goulding
» In This Our Life 1942, John Huston
» The Crash 1932, William Dieterle
» CafĂ© Metropole 1937, Edward H Griffith
» Dodsworth 1936, William Wyler
» The Rich Are Always with Us 1932, Alfred E Green
» Lilly Turner 1933, William A Wellman
» Frisco Jenny 1932, William A Wellman
» Female 1933, Michael Curtiz
» Waterloo Bridge 1931, James Whale

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The Great Lie (2)
  • Lauren: Au contraire, I love the idea of the potentials of artlessness. …And wish I had somewhere to go with...
  • Mango: Wonderful, an update. Cool spoiler device. It sounds like this strikes on the wonderful potentials artlessness...
In This Our Life (1)
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