[Der Letzte Mann]
1924 - Germany
Director
FW Murnau
Starring
Emil Jannings
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Staggeringly brilliant. Bleak yet humane; oozes style yet is painfully real. This is also the first authentically silent film I have seen, in that it doesn’t rely on intertitles at all to convey meaning. And it still conveys more to the viewer than the most heavily textual silents I have seen!
(Spoilers for end!)
Man, I felt so betrayed by the ending! I thought, how stupidly cynical, how unaccountably self-reflexive. What a pointless undermining of all that went before it. Murnau’s ‘unlikely’ happy ending changes the tone dramatically and amounts to nothing, I thought. Then I read that the filmmakers had been told to tack on a happy ending so the film would sell better, and I would instead applaud their thumbing their noses at those idiots. Still, I wish modern prints disowned the ending completely, because it is pretty stupid.
So, my rating is for the rest of the film, not taking the ending into account at all.
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Lauren, 25, out-of-work librarian. At the moment, TLC is but a review blog and catalogue of my film-related perversions. I always plan to do more with it — and to one day step outside 30s Hollywood again. Who knows?
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Jeopardy (9)
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