Letters from Iwo Jima |
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Director Starring |
The thing that niggles at me about this film is… although it’s important as a rare (first? only?) mainstream American film to empathetically present historical events from the “enemy”’s point of view, it is still thoroughly a classical American war film, with many American tropes and values built in. Eastwood finds a bit of an excuse for this in situating his Japanese general as a onetime Stateside celebrity who has schmoozed with Pickford and Fairbanks Jr, but this still seems just a little… I don’t know… somehow inappropriate.
Regardless, this is an accomplished, humane film, of a piece with Eastwood’s greatest ‘late period’ films. His recent work — most fully realized with Million Dollar Baby – has earned him a place in my book as one of the great American directors. This is, as most would agree, far superior to the (very good) companion piece Flags of Our Fathers, which also succeeds in capturing the real feelings of human beings unnaturally forced to become soldiers, but is tainted by a strange Hollywood atmosphere: too many pretty boys emoting, perhaps; too hackneyed in both narrative and character development (the drunkard native American? Must we? Lucky Adam Beach was so good). In contrast, Letters gives us surprising characters, particularly well developed for a fairly large ensemble, and an affecting window into another culture’s conflicts and values (I can only hope it is passably true to reality: I have no knowledge myself to judge its cultural or historical accuracy). Anyway as the well-respected but mainstream American films of 2006 go, this rightfully stands out among the pack, but it is thoroughly classical in every sense save point of view. This isn’t a flaw, but most of us prefer to look beyond Hollywood, and no one should fantasize that this is anything but that. |
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