Morvern Callar

Basically, I find it difficult to criticize this film on any of the narrative or ideological grounds raised by IMDb posters; the only thing that stands between me and this film is Morvern herself. For all viewers who at least like the film, I think the difference between “just liked it,” “really liked it,” or “loved it” lies in how strongly that viewer connects to this character. Morvern’s response to the sudden tragedy and windfall in her life seems believable to me, and watching her move in a half-catatonic, half-rapturous state through her surroundings is intriguing. Morton’s performance, without a doubt, is intense and heartfelt. But somehow I never got in Morvern’s head, and I think that’s essential to existentialist work (and perhaps something that works better in the novel). I was never fully “there” with her, seeing with her eyes, feeling through her; not in the way I imagine those who really love this film do. So in the final analysis, I think this is a special gem of a film, not the most deeply felt experience I have ever had (I know I certainly experienced it differently than sidehacker), but promising of great things to come from the young & talented Ramsay.